"Fire Red Year": Perspective of the spirituality of industrial topics and humanities
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For a long time, no response, please brush this page Author: Yan Wei Zhu Bin recently produced by Sichuan Xingxian Film and Television Media Co., Ltd., showing the TV series "Fire Red Year" in the 1960s, a set of golden files in CCTV Broadcasting and harvested a better social response. As the industrial construction TV series depicting industrial construction and workers’ lives, the drama has been a prototype with the great production practice of the years, from individuals and industries, times and scenes, ideals and reality to showcase the hard work of labor. , The spirit of innovation, will be willing to dedication, not only artistic reproduction and describing the real historical years, but also brought some revelation for the creation and innovation of the subject matter. First, through the fresh individual growth story, write the labor spirit of the major industrial building.
In recent years, a batch of industrial subject plays represented by "Founder" "National Destiny", etc. The construction history, or the "fighting homes" between the workers’ groups is cut into the smart intelligence. On the basis of continuing the core of the subject, "Growth" is adopted by the "growth" writing method. Through the graduated from the college students’ heavy experience in "109 Ye", it will showcase the casting of Sichuan. Construction history. On the one hand, the tacit cooperation between Chen Guomin between Xiafangzhou and the ace construction team, representing the "joint" between the young technicians and the old workers’ masters, witnessed the success of industrial construction, and the "work experience" and " The synergy of advanced technology. On the other hand, the undergraduate degree is used to "shouting slogan". The season-colored steel and Xia Fang Zhou, which have a surface article, have a stark contrast, under the opposition of the two, and Xia Fangzhou gradually gains leadership and colleagues. Recognize, and Ji Chenggang "self-myth on the laborer" is also despised by everyone.
It should be said that "growth" is a narrative strategy of gradient, making the image of the laborer close to the daily dimension, bringing the corresponding life to the audience. Second, highlight the scene of the scene, and explain the spirit of "good people like three lines".
As opposed other subjects, the scene of industrial subjects is mainly placed relatively fixed, single engineering units, but it is also this kind of environmentally identified environment, which is more likely to wake up the collective memory of the audience, thus in the psychological return of the age. .
From the "No. 2 Box" "four big gold" and other old industry, the restoration of the construction site, the mechanical equipment, and the retention of the equipment, and the historical texture is revealed in the details. The drama relies on Chengdu Qingbaijiang and Panzhihua City Gaojiaping as a real scene, and the unique Sichuan landform in the construction period of steel mills. Discussion on the quenching scenarios of the night steel mill workers, the form of the self-cultivation of the vibrant, this, the laborer of the group, and the ideal beliefs of personal life, and commonly exchanged "great come from ordinary, Hero from the people "epic".
Third, a contribution of the revolutionary optimism in the narrative paradigm of the home country. Under the call of the construction of "big three-line", most of the responders from the five seas of the five lakes, their puree did not meet, but in the construction collective, the revolutionary comrades were deeply affiliated. As the drama theme song "Love is between the home" sing: "Go through the mountains, the tired is also romantic.
"Li Xinmei, Qiao Jiali has no regrets, Chen Guomin and Wu Baoqi’s maintenance of the teacher, the fearless sacrifice of Lu Guangfu for the rescue documents, reflect the" three-wire construction "in the era of" three-line construction " The highly fighting spirit of the students. The field of "home" has become the dynamic worker of each of the hearts of the hometown, "109 Ye", the dynamic worker, undergraduate, technical school students, etc. It is a joint appeal to rebuild the cement room after the fire in the shacks of the shacks. The play is a scene of many workers’ families. The warmth and tall coincidence of Chai rice oil salt, "bitter" and "music" symphony The "small family" of the workers constitute a hidden rhetoric of "big country" in the construction era, and they have a hope that they are happy.
In the narrative background of social changes, industrial topics operators should be true, specifically presenting their own mental state and life choice. The drama did not stop the performance of the "large three-line" construction team, such as "109 Ye" to the Shenzhen, Wu Baoqi is out of the business road, highlighting the state-owned enterprise employee’s mentality change under the reform and opening up. From passively, the trend of the times to the dynasty, the growth experience of Wu Baoqi also realized the transformation of "passion" to "mature", evolving the vivid portrayal of working classroom diversity.
Spring flowers open autumn wind, focus on new China’s construction process, as the carrier of the light, although the theme of the year, but the spirit of its inclusion can still be connected. In the moment, my country’s economic high quality development faces a huge challenge, building a domestic circulation as the main economic pattern, promoting the development strategy of the western part of the new era, still depends on strong inheritance and promoting self-reliance, and intersecting the spirit. Based on this, the industrial topic drama is based on the advanced people in the process of each class, realizing the realistic writing and the creative refining of the labor product of industrial construction. It is written to "big rear" intellectuals and the working people. Mental painting, naturally with "wind blown leaves, self-contained waves" benchmarking power.
How to better transform the topic in the plot to the sense of inspiration and enlightenment, which is the creation of the relevant creators to explore. (Author Yan Wei, deputy director of the editorial department of China TV Art Committee, Zhu Bin, Department of Drama and Film Academy of Shanxi Normal University and Ph.D.